. Studio international . Bell, GiffardLenfestey, Julius Olsson, S. Melton Fisher, , George Spencer Watson, Graham Petrie,Cecil Rea, and Rowley Leggett, and Misses MaryDavis, Clare Atwood, Amy B. Atkinson, I. L. Gloag,Beatrice Bland, and Ruth Garnett were amongthose exhibiting in their bestvein. The exhibition owedmuch to the sculpture ofMr Gilbert Bayes. Fort Philippe, being canvases easily rememberedfor their skill. At the same gallery, Miss MaryMacRae, Mr. Rustom Vicaji, and Mr. Ralph Smithhave recently been exhibiting. The Stafford Gallery has just concluded anexhibition by Mr. S.
. Studio international . Bell, GiffardLenfestey, Julius Olsson, S. Melton Fisher, , George Spencer Watson, Graham Petrie,Cecil Rea, and Rowley Leggett, and Misses MaryDavis, Clare Atwood, Amy B. Atkinson, I. L. Gloag,Beatrice Bland, and Ruth Garnett were amongthose exhibiting in their bestvein. The exhibition owedmuch to the sculpture ofMr Gilbert Bayes. Fort Philippe, being canvases easily rememberedfor their skill. At the same gallery, Miss MaryMacRae, Mr. Rustom Vicaji, and Mr. Ralph Smithhave recently been exhibiting. The Stafford Gallery has just concluded anexhibition by Mr. S. J. Peploe. Mr. Peploe is Mr. E. H. Chetwood-Aikens exhibition of pic-tures in Holland at theRyder Gallery containedsome excellent water colourpainting, especially in suchspontaneous interpreta-tions as Near Limpsham—Somerset, and other effectsof this kind. At the Baillie GalleryMr. Hely Smith, ,has held an exhibition olwell-painted landscapes, ASpan of Richmond Bridge,Swirling Waters, TheShadow on the Pond, Petit. M(H HER AND CHILD BY KATHLEEN BRUCE227 Studio- Talk before everything, at present, a virtuoso: his skillis amazing. But one cannot help feeling that, withhis fine sense of colour, his best work will bereserved until he is content to dispense with someof the more sensational features of his style. Heattains to much beauty in some of his still-lifepieces, such as Roses in a Silver Urn. At the Leicester Gallery in February there wasan exhibition of Mr. A. W. Richs water-colourists of to-day have so fine a senseof composition, and but for a temptation to over-sweetness and artificiality in colour, sometimes,Mr. Richs art would be a successful continuationof the restrained and simple management of water-colour which characterised the old English these days when some re-action from faith in realismis apparent, no artist pre-sents so well as Mr. A. the phase ofbeauty with which that faithrests. This is particularlyso in his wa
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