Complete theoretical and practical piano forte school : from the first rudiments of playing to the highest and most refined state of cultivation with the requisite numerous examples newly and expressly composed for the occasion, opera 500 . ^0 -321+ -jpfli -381+4 3 S £ 0 0 0 0 0 0 mmmmmwm^wm 0 Here the last note of the Turn must always be the principal note, for it should not con-clude with any other. ? When this Example is played slow, the 4 little notes do not come in till after the 4. quaver. But when the movement is quick we must try to play those little notes to the 4*h
Complete theoretical and practical piano forte school : from the first rudiments of playing to the highest and most refined state of cultivation with the requisite numerous examples newly and expressly composed for the occasion, opera 500 . ^0 -321+ -jpfli -381+4 3 S £ 0 0 0 0 0 0 mmmmmwm^wm 0 Here the last note of the Turn must always be the principal note, for it should not con-clude with any other. ? When this Example is played slow, the 4 little notes do not come in till after the 4. quaver. But when the movement is quick we must try to play those little notes to the 4*h both cases, the little notes must all be equally quick, and we must not dwell on, orkeep down any of them. 5 29. When the Turn stands over a dot, followed by a quick note, and belonging* to oneof the divisions of the bar; the Turn must be introduced just before the dot,so thatthe last note of the Turn may fall exactly with the dot, and be held down during*the whole time of the dot, and till the next note has to come in. Ex: As written.
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Keywords: ., bookcentury1800, bookdecade1830, booksubjectpiano, bookyear1839
