The International Studio /June 1915 . Oil Painting in Japan. SPRING IN THE NORTH COUNTRY ?- t ( MORNING IN EARLY AUTUMN BY YOSHIDA HIROSHI After the departure of Fontanesi, another Italianartist named Ferritti, who happened to be in Japan,was employed to fill the vacancy. Ferritti was byno means the equal of Fontanesi, and the inferiorityof Ferrettis art was at once recognised by thepupils, who rose against him. He was succeededin 1881 by another Italian of the name of SanGiovanni, who taught for three years ; but he toofailed to obtain the same hold upon our pupils asdid the first Italian mas
The International Studio /June 1915 . Oil Painting in Japan. SPRING IN THE NORTH COUNTRY ?- t ( MORNING IN EARLY AUTUMN BY YOSHIDA HIROSHI After the departure of Fontanesi, another Italianartist named Ferritti, who happened to be in Japan,was employed to fill the vacancy. Ferritti was byno means the equal of Fontanesi, and the inferiorityof Ferrettis art was at once recognised by thepupils, who rose against him. He was succeededin 1881 by another Italian of the name of SanGiovanni, who taught for three years ; but he toofailed to obtain the same hold upon our pupils asdid the first Italian master. So untiring andearnest, however, were Fontanesis disciples in theart of their adoption, that many artists in the Japanese style felt their influence and discarding the traditional method began to practise oil paint-A number of young artists, who did not come under the direct influence of the Italian master went abroad to pursue their Indies. Among them may be mentioned Harada Naojiro, Kawamura Kiyoo, Goseda Hosho and V a mam o to Hosui. So great was
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Keywords: ., book, bookcentury1900, booksubjectcalifornia, booksubjectsandiego
