The early work of Raphael . -. W. Q. Orchardson, Esq., From a painting by T. permission of W. Q. Orchardson, Esq., of his ego, is to pull them to pieces, to punish their unresponsivenessby summary execution. Between this stage and the next there is aperiod during which the boy does not know what to be at. In himthe girls instinct for protection is only feebly developed. He knowsno middle course between destruction and creation. The months be-tween the last wilful disembowelling and the first attempt to make THE ART OF WILLIAM QUILLER ORCHARDSON 7 are passed, as a rule, in t
The early work of Raphael . -. W. Q. Orchardson, Esq., From a painting by T. permission of W. Q. Orchardson, Esq., of his ego, is to pull them to pieces, to punish their unresponsivenessby summary execution. Between this stage and the next there is aperiod during which the boy does not know what to be at. In himthe girls instinct for protection is only feebly developed. He knowsno middle course between destruction and creation. The months be-tween the last wilful disembowelling and the first attempt to make THE ART OF WILLIAM QUILLER ORCHARDSON 7 are passed, as a rule, in the persecution of every living thing he comesacross. At last the time arrives to give him paints and pencils. Whatdoes he do with them ? Does he put a vase of flowers on a table andsit down to study its forms ? No ; he tries to recreate the life by whichhe has been fascinated all along. He wearied of his tin cavalry becauseit could not charge, of his popguns because they had neither noisenor smoke. And so he tries to make acti
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Keywords: ., bookcentury1800, bookde, booksubjectraphael14831520, bookyear1895
