Light and lighting . G.— How pictures should not be bung;. 7 Satisfactory banging of pictnrei where wall •pace ii limited. THE ILLUMINATING ENGINEER (march) 161 involuntary disregard of the best principleof hanging. But, after all, the lightingspecialist can suggest proper hangingfrom a view-point quite unfamiliar to theartist. The treatment of a large exhibitas outlined above can be done with adegree of satisfaction by such a means asshown in Fig. 4, which is the methodadopted by our Engineering Departmentin applying these principles of lightingto a large temporary exhibit where the
Light and lighting . G.— How pictures should not be bung;. 7 Satisfactory banging of pictnrei where wall •pace ii limited. THE ILLUMINATING ENGINEER (march) 161 involuntary disregard of the best principleof hanging. But, after all, the lightingspecialist can suggest proper hangingfrom a view-point quite unfamiliar to theartist. The treatment of a large exhibitas outlined above can be done with adegree of satisfaction by such a means asshown in Fig. 4, which is the methodadopted by our Engineering Departmentin applying these principles of lightingto a large temporary exhibit where thewriter had an opportunity to correctthe appearance of the paintings. installation received much favourablecomment, which is indicative of a newera in the lighting of paintings in thiscountry. The light reflected from thewalls was sufficient for general purposes,and there was no annoying reflectionfrom the glass coverings, excepting incases where paintings were hung higherthan agreed upon. Even in these casesit was sometimes possible to avoid annoy-ing refle
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