Archive image from page 564 of The cyclopaedia; or, Universal dictionary. The cyclopaedia; or, Universal dictionary of arts, sciences, and literature cyclopaediaoruni09rees Year: 1819 pur:;ey into ittria, tie tell ill, and died at Venice m the prime ;n ;. ,1. r r n- r , â⢠J r i-r â /: th 1 l u- u u ⢠1.⢠a ⢠1 contemplation 13 the height of perfection of th mvfi.;c of life, 111 1617. The works by which he is chiefly known divines. See Mystic puicuiuu ui m. myun. are ' De Frumentaria Romanorum Largitione,' and ' De CONTEMPORARY P Militari Romanorum Stipendio.' Moren. CONTAR


Archive image from page 564 of The cyclopaedia; or, Universal dictionary. The cyclopaedia; or, Universal dictionary of arts, sciences, and literature cyclopaediaoruni09rees Year: 1819 pur:;ey into ittria, tie tell ill, and died at Venice m the prime ;n ;. ,1. r r n- r , â⢠J r i-r â /: th 1 l u- u u ⢠1.⢠a ⢠1 contemplation 13 the height of perfection of th mvfi.;c of life, 111 1617. The works by which he is chiefly known divines. See Mystic puicuiuu ui m. myun. are ' De Frumentaria Romanorum Largitione,' and ' De CONTEMPORARY P Militari Romanorum Stipendio.' Moren. CONTARINO, Cav. Giovanni, an lu&orical and por- trait painter, who was born at Venice in the year 1549, and who lledfailly purfued the folid and pure ftyle of Titian, not- withstanding the pernicious example of almoit all his rival compatriots, who, lofing the remembrance of thole glowing and rich tints which had fo lon been the boail of the Vene- , a perfon, or thing, of the fame time, or that exilted in the lame age, with another. Socrates, Plato, and Ariftophanes, were contemporaries : the bell hiflories are thofeof contemporary authors. r ' CONTEMPT,in the Dodiine ofthePaJJions, is a fpecin of hatred, exprefling in its general fenfe difapprobation or averhon, which arifes from the mere conlickration of a trail fchool, had adopted a manner in wmch the lights Were worthier r>K;PA «.r,.;,ii :cu u f , , r : n. i l .l 11 1 â - 1 â 'orinieis object, elpecialjy it it be propofed to us under a fo extravagantly contralto by the molt obtcure and cutting pretence of it« ⢠/â¢â¢ft,n-: . rr r rp, .-,⢠/TJ rs- c i_- 1. 11 i .a r â »t -i J Deiongs to demonltrative difcour'es. Thus Cicero (De One of his belt and greatelt performances is the ceiling of Orat lih. i'i /⢠,-> \ â¢Aâ ,â . â ⢠r /-> -r j i_ . .' '⢠c> J2 ) endeavours to expoieCaecihu?, and bring him into contempt ol the cburt, for pretending to rival him the church


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