. International studio. persists in maintaining alittle gallery totally unsuited to the demands ofa metropolis. To stay there is equivalent torunning beside a donkey and holding on to itstail instead of vaulting into the saddle. Division of the twenty-fourth annual exhibitionof oil paintings at the Philadelphia Art Club into three periods, the current one being the third,has proved a success judging from the attendancereported to be very gratifying in spite of warexcitements of various kinds going on outsideand the rival attraction of the annual show at thePennsylvania Academy. Invited works,
. International studio. persists in maintaining alittle gallery totally unsuited to the demands ofa metropolis. To stay there is equivalent torunning beside a donkey and holding on to itstail instead of vaulting into the saddle. Division of the twenty-fourth annual exhibitionof oil paintings at the Philadelphia Art Club into three periods, the current one being the third,has proved a success judging from the attendancereported to be very gratifying in spite of warexcitements of various kinds going on outsideand the rival attraction of the annual show at thePennsylvania Academy. Invited works, somefifty of them, mainly by well-known artists, witha scattering of others by the cadets of the profes-sion, gave unusual interest to the collection openfrom May 4th to May 10th. Notably cleveramong the work of the younger painters wasRobert Susans portrait of his wife; a portrait ofa lady, A. B., by Margaret F. Richardson, andOn the Terrace, Portrait of Jack by Juliet WhiteGross. The ever-changing colour and movement. PORTRAIT OF LIEUT. SANTIAGO CAMPUZANO BY ARTHUR Iii the Galleries
Size: 1121px × 2229px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
