Art in dress . Seventy-one. Seventy-tzvo opposite Silhouette Logic E:tpression and relation of Line on same Model is produced by differentDesign of Line on each side (Contraries). The treatment of such a Model must be accurate. If the opposite sidesdiffer in both quantity and quality, it will be contradictory in design. If welogically carry our Lines with balance treatment, relative and still expressinga difference, we have made no falsity of Line. Work now under the progress of thought and endeavor to design withPsychology of Line. Give equal value to your different sides, still do notcreate
Art in dress . Seventy-one. Seventy-tzvo opposite Silhouette Logic E:tpression and relation of Line on same Model is produced by differentDesign of Line on each side (Contraries). The treatment of such a Model must be accurate. If the opposite sidesdiffer in both quantity and quality, it will be contradictory in design. If welogically carry our Lines with balance treatment, relative and still expressinga difference, we have made no falsity of Line. Work now under the progress of thought and endeavor to design withPsychology of Line. Give equal value to your different sides, still do notcreate them so different that the sides will have the effect of two frocks in purpose depends upon the Silhouette that you have created in mindseye. Naturally if you are working on opposite silhouette your thoughts wouldbe the sides or side lines. The theory is to apply simply and scientifically. You must distinguish your sides with a two-fold idea. Bear in mind thatyour judgment independent in treatment must bring your s
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Keywords: ., boo, bookcentury1900, bookdecade1920, booksubjectclothinganddress
