International studio . Exhibited Folsom Call A PORTRAIT OF MARY A STUDIO SCRUBWOMAN BY WILLIAM B. QUEEN OATHEniNE HOWAno M521-154id), MARGARET WOTTON, MARCHIONESS OF DORSET (CALLED QUEEN CATHERIME OF ARRAGON), HANS HOLBEIN THE YOUNGERIN HIS 45TH YEAR. (DATED 1643.) GEORGE NEVILL, LORD ABERGAVENNY. K G. (D, 1535). FROM THE MINIATURE PAINTINGS BY HANS HOLBEIN IN THE DUKE OF BUOCLEUCH S COLLECTIONAT £Nr ON VIEvV AT TH £ VICTORIA AND ALBERT MUSEUM. INTERNATIONALSTUDIO VOL. LX. No. 240 Copyiighl 1917. by John Lane Company FEBRUARY, 1917 w ILLIAM MKRRirr CHASE:HIS
International studio . Exhibited Folsom Call A PORTRAIT OF MARY A STUDIO SCRUBWOMAN BY WILLIAM B. QUEEN OATHEniNE HOWAno M521-154id), MARGARET WOTTON, MARCHIONESS OF DORSET (CALLED QUEEN CATHERIME OF ARRAGON), HANS HOLBEIN THE YOUNGERIN HIS 45TH YEAR. (DATED 1643.) GEORGE NEVILL, LORD ABERGAVENNY. K G. (D, 1535). FROM THE MINIATURE PAINTINGS BY HANS HOLBEIN IN THE DUKE OF BUOCLEUCH S COLLECTIONAT £Nr ON VIEvV AT TH £ VICTORIA AND ALBERT MUSEUM. INTERNATIONALSTUDIO VOL. LX. No. 240 Copyiighl 1917. by John Lane Company FEBRUARY, 1917 w ILLIAM MKRRirr CHASE:HIS ART AND HIS IN -FLUKNCEBY KATHARINK M. ROOF In passing through a gallery it is often unnec-essary to look for the signature in order torecognize the painter. This may be a questionof personality or of manner. The big man hasartistic jiersonality, the lesser one a manner. Theclever painter has mannerisms, the master hastouch. The brush of William M. Chase had than that it held the elusive secret ofstyle. And style is aquality of the most talented stu-dents work can onlypromise, not [)ossess c
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
