. Illustrated catalogue of the valuable paintings and other art property recently contained in the William Schaus Art Galleries, Fifth Avenue, New York . d leads back to a mill, which is seen across a sheet of water that occupiesthe left of the foreground. Under the far bank appears a punt, containing aman in a blue blouse. In the distance on this side are seen four windmills,and another overtops a cluster of brown roofs at the right. Signed at the lower left, Willem Rip. No. 140- FRITZ THAULOW NORWEGIAN (1847-1906) DEGEL—NORWAY Height, 19% inches; length, 29% inches A few stars show in the bl
. Illustrated catalogue of the valuable paintings and other art property recently contained in the William Schaus Art Galleries, Fifth Avenue, New York . d leads back to a mill, which is seen across a sheet of water that occupiesthe left of the foreground. Under the far bank appears a punt, containing aman in a blue blouse. In the distance on this side are seen four windmills,and another overtops a cluster of brown roofs at the right. Signed at the lower left, Willem Rip. No. 140- FRITZ THAULOW NORWEGIAN (1847-1906) DEGEL—NORWAY Height, 19% inches; length, 29% inches A few stars show in the bluesky, but the village street iswrapt in gloom. The snowon the roofs of the cottagesalong the right is a vaguegray-blue, and the oral) wallspierced with the rosy, creamylight from four windows anda transom, glimmer uncer-tainly. Before a dark door-way a man and a womanstand conversing. Out in the roadway, where the glare from the windows is reflected in some puddles, a man comes forward with his hands in his pockets, followed by a girl leading a child. At the left of the roadway stands a row of poplars. Signed at the lower right, Fritz GUISEPPE SIGNORINI ITALIAN (1857- ) No. 141- UNE FEMME PEINTRE Height, 18 inches; length, 23 inches At the right of an easel, whose edge occupies almost the center of the com-position, a young lady leans forward on her seat, diligently painting. Sheis elegantly attired in a gown of pale blue damask, besprinkled with purple,golden yellow and rosy blossoms, down the front of which descends a panel ofpearly-gray with an arabesque design in gold, rose, green and blue. Hersubject is seated at the left of the easel—an oldish gentleman, whose kneesembrace a large chaufferette. Above his head hangs a picture of two loves,while on the wall behind the lad} is a series of panels, each containing thefigure of a saint. Signed at the lower right, Guisep. Signorim, P<iris, 262. GUISEPPE SIGNORINI ITALIAN (1857- ) No. 142- RETOUCHE
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License: Licensed
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Keywords: ., bookcentury1900, bookdecade1910, bookidschauscatal0, bookyear1912
