Illustrated catalogue and price list of artists' materials, gold paint, bronze powders, metallics, metal leaf, &c: colors and materials for china and glass painting ; colors and materials for oil, water color & pastel painting and drawing, &c. . 25 22 23 25 ;. Crold Bronze. No 45 (Light Brown) 40 (Medium ) 47(Dark ) 48 (Grassgreen) 49 (Salmon) 106, S. (Dark ) . 111, S. (Dark Olive Green) 119, S. (Antique) 140, S (Light Olive Green) Gold Alloy Flux Burnishers Putty per vial Sample Plates, showing Best Burnisli Gol
Illustrated catalogue and price list of artists' materials, gold paint, bronze powders, metallics, metal leaf, &c: colors and materials for china and glass painting ; colors and materials for oil, water color & pastel painting and drawing, &c. . 25 22 23 25 ;. Crold Bronze. No 45 (Light Brown) 40 (Medium ) 47(Dark ) 48 (Grassgreen) 49 (Salmon) 106, S. (Dark ) . 111, S. (Dark Olive Green) 119, S. (Antique) 140, S (Light Olive Green) Gold Alloy Flux Burnishers Putty per vial Sample Plates, showing Best Burnisli Gol 1 in Gold Color, Greengold and Red Gold, Burnish Silver. Platinum and all Bronzes each, Mote.—For instructions see i)age 31. A. SARTORIUS & CO., NEW YORK. MATERIALS FOR CHINA AND GLASS PAINTING—CouM Green GoldLeiaon Gold 1 m per dwt. $ A SARTORIUS & GOS MAT GOLD AND HARD GOLD, prepared on Glass slabs in Pasteboard Boxes. IS FUKNISHED IX liomao (Repiaf Gold CoIof), Gfeen GoliJ and M Gold. ^.§AI\TOF\IU§&GosM/iTGOLD(ROMAN) (fluxed) FOR CHIN A AND GLASS PAINTING Mat Gold, fluxed per box, $1 00 Hard unfluxed 1 00 Samnle Plates showing Roman Gold, Greengold and Red?old . eac-i 1 00. Burnish Silver, Platinum, and Genuijw dohJ Broii-also 1)2 furnislicd in this shape if desired Note - For instructiot:; ccc pagj CI. A. SARTORIUS & NEW YORK. 31 MATERIALS FOR CHINA AND GLASS PAIN TING—ContdINSTRUCTIONS FOR USIXG BORIIIIilli;OLD,Mli,PUTIIIOM&BRQIII[S. Prepared Burnish Gold in powder is exceedingly fine as we furnish it, butit can be gi-ound again in turpentine, with a clean glass niuUer on a clean glassslab, perfectly fine, indeed, it cannot be ground too much. Tui-pentine must beadded, to replace tiaat which evaporates during the grinding process. Whenfinished, allow the turpentine to evaporate somewhat, and add rather more fatoil than is required for powder colors ; just enough to allow the gold towork sohdly, yet freely. It is the
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Keywords: ., bookcentury1800, bookdecade1890, bookidillustratedc, bookyear1894
