Men's Haori with Yuya and the Kiyomizu temple. Haori for a man with a decoration at the lining of a rectangular surface in which a no-actor reading a letter, with a text with cherry blossom leaves, the whole against a background of an image of a temple building with flowering trees. In the no-theater piece of the same name, the aktur plays the role of Yuya, the macity of Taira No Munemori, whose mother sends her letters to ask her before she dies. Munemori prevents her before the end of the cherry blossom festival, which they attend to the Kiyomizu temple. The text is a poem that yuya expresse
Men's Haori with Yuya and the Kiyomizu temple. Haori for a man with a decoration at the lining of a rectangular surface in which a no-actor reading a letter, with a text with cherry blossom leaves, the whole against a background of an image of a temple building with flowering trees. In the no-theater piece of the same name, the aktur plays the role of Yuya, the macity of Taira No Munemori, whose mother sends her letters to ask her before she dies. Munemori prevents her before the end of the cherry blossom festival, which they attend to the Kiyomizu temple. The text is a poem that yuya expresses to express her feelings and refers to the transience of things: "Hana Mae Ni Cho Mau Funpun Taru Yuki. Yanagi Ue Ni Hotaru Tobu Henpen Taru Kane. Hana WA Ryusui [Ni Shitagatte Kaori No Kuru Koto Toshi] "(" Butterflies dance above the blossoms such as swirling snow. Firing fireflies above the willow. The scent of the blossoms, carried out by the stream, soon ") Later in the piece Yuya writes a poem on a strip of paper to offer it to Munemori on a range, when shown here, to infuse his consent, after which they can finally leave. Black glossy silk (habutae) with brocade textured decoration. Five family arms (Mon) of Ivy (Tsuta).
Size: 2500px × 2232px
Photo credit: © BTEU/RKMLGE / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: voorkeursbeeld
