. International studio. out M. Simon is that he always remainshimself, the charming colourist that we well appre-ciate. After the magnificence of the Cathedraletf Assise, his picture of last year, he has returned tohis beloved Brittany. This corner of the dining-room is already familiar to us, with its big baywindows opening upon the trancjuil horizon of afair calm autumn sea. It is the painters ownhouse at Hdnodet, which we have already seen asthe setting for portraits of his family, and amongthem Dauchez, M. Blanches brother-in-law. Ir> Collation also the children gathered aroundthe ta
. International studio. out M. Simon is that he always remainshimself, the charming colourist that we well appre-ciate. After the magnificence of the Cathedraletf Assise, his picture of last year, he has returned tohis beloved Brittany. This corner of the dining-room is already familiar to us, with its big baywindows opening upon the trancjuil horizon of afair calm autumn sea. It is the painters ownhouse at Hdnodet, which we have already seen asthe setting for portraits of his family, and amongthem Dauchez, M. Blanches brother-in-law. Ir> Collation also the children gathered aroundthe table are members of his family. It is a mostremarkable work of very powerful execution, asalso is the |)ortrait of the painter by himself. M. ( I^ Touche is also one of the bestknown and the most successful of the adherents ofthe Nationale. After the \ery considerable effortof his exhibition last year his energy has by nomeans flagged, as his large panel. Theatre deIWdiire, amply attests ; as also do /.a Marchande. LA PLASTIQUE. PANEL FOR THECEILING OF THE PETIT PALAIS,PARIS. BY PAUL ALBERT BESNARD
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
