Virgin of the Apocalypse, Mattheus van Beveren, c. 1680 Maria stands on the left leg above the globe on the crescent, with bent right knee bent forward. The head is used to the left, the left shoulder deviates backwards; The left foot travels the snake, the right on the crescent, stands slightly aside and turned out. On her left hand it is slightly bent over Christ child, which stretches the hands and that she protects from the right hand with the fingertips. A slip of the cloth on which the child sits lies over the legs and is scammed by Mary's index finger. Maria's separated hair, which was

Virgin of the Apocalypse, Mattheus van Beveren, c. 1680 Maria stands on the left leg above the globe on the crescent, with bent right knee bent forward. The head is used to the left, the left shoulder deviates backwards; The left foot travels the snake, the right on the crescent, stands slightly aside and turned out. On her left hand it is slightly bent over Christ child, which stretches the hands and that she protects from the right hand with the fingertips. A slip of the cloth on which the child sits lies over the legs and is scammed by Mary's index finger. Maria's separated hair, which was absorbed in braids at the sleep, comes partly on the back of the head in a Wrong, then falls into waves on the right shoulder and shows a cord beads with a large pearl from the front. Over a thin robe, the sleeves of which end in finely pleated, wider flashing cuffs, is the spacious mantle, left backwards, which has been struck to the right and has been absorbed over the left arm, so that part of the robe at the feet is visible again is becoming. The winding snake under her foot looks open to the child with open mouth, his raised tail ends in an arrow. Antwerp ivory. Maria stands on the left leg above the globe on the crescent, with bent right knee bent forward. The head is used to the left, the left shoulder deviates backwards; The left foot travels the snake, the right on the crescent, stands slightly aside and turned out. On her left hand it is slightly bent over Christ child, which stretches the hands and that she protects from the right hand with the fingertips. A slip of the cloth on which the child sits lies over the legs and is scammed by Mary's index finger. Maria's separated hair, which was absorbed in braids at the sleep, comes partly on the back of the head in a Wrong, then falls into waves on the right shoulder and shows a cord beads with a large pearl from the front. Over a thin robe, the sleeves of which end in finely pleated, wider flashing cuffs, is the spaciou

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