. The book of photography; practical, theoretical and applied. ection in which thatfeature is bent ; it is thus frequentlypossible to entirely avoid any suggestionof the defect in the photograph. Personswith a squint will generally look best inprofile, or nearly so. By slightly tiltingthe sitters head up or down, greater orlesser prominence may be given to eitherthe lower or upper part of the face as de-sired ; while if it is borne in mind thatthe well lit portions of the countenancewill be brought forward and attract atten-tion, while those in shadow will be, as itwere, made to assume quite a
. The book of photography; practical, theoretical and applied. ection in which thatfeature is bent ; it is thus frequentlypossible to entirely avoid any suggestionof the defect in the photograph. Personswith a squint will generally look best inprofile, or nearly so. By slightly tiltingthe sitters head up or down, greater orlesser prominence may be given to eitherthe lower or upper part of the face as de-sired ; while if it is borne in mind thatthe well lit portions of the countenancewill be brought forward and attract atten-tion, while those in shadow will be, as itwere, made to assume quite a secondaryimportance, it will be in the operatorspower to still further augment the effectof good features, and atone for or sup-press bad ones, by judicious manipulationof the lighting. Posing. The pose of the head and figure is ofsupreme importance. The slightest de-gree of clumsiness or ungracefulness will y^Ti t-*^*** >**-*^ ^*i»?iiiiiH?^^^v::r^-^=--» ii^-^ NAVICULA CRABO (x 500 ZEISS APOCHROMATIC OBJECTIVE 3 MM. AND COMPENSATION EYEPIECE POTATO STARCH fx 170 DIA.)UNDER POLARISED LIGHT.
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Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1900, bookdecade1900, booksubjectphotography, bookyear
