The Slipper Merchant, 1872. In the dimly lit, richly coloured interior of a North African shop, a turbaned merchant serves a customer seated on a divan. Kneeling in front is an attendant, and barely discernible in the background is a craftsman at work. To the left, a man smokes a hookah. Villegas has adopted a subject made popular by Mariano Fortuny, but rather than exploring light effects, he provides an almost overwhelmingly detailed array of bric-a-brac. Even the picture frame, custom-ordered for this painting, is inscribed in Naskh script: "There is no God but Allah and Mohammed is hi


The Slipper Merchant, 1872. In the dimly lit, richly coloured interior of a North African shop, a turbaned merchant serves a customer seated on a divan. Kneeling in front is an attendant, and barely discernible in the background is a craftsman at work. To the left, a man smokes a hookah. Villegas has adopted a subject made popular by Mariano Fortuny, but rather than exploring light effects, he provides an almost overwhelmingly detailed array of bric-a-brac. Even the picture frame, custom-ordered for this painting, is inscribed in Naskh script: "There is no God but Allah and Mohammed is his ;


Size: 4960px × 3668px
Photo credit: © Heritage Images / Alamy / Afripics
License: Licensed
Model Released: No

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