Programme . atter of ease of execution ofthe piece; if Auer, to whom the work is dedicated, intrigued againstme, so am I doubly thankful to dear Brodsky, in that for my sake hemust stand the curses of the Viennese journals. * For an entertaining account of Brodsky and his life in Leipsic, given by Tschaikowsky himself in hisabove mentioned Diary, see Rosa Newmarchs Tschaikowsky, pp. i8o-iq6 (London, 1890). GET A BOX OF REHEARSAL MIXED CHOCOLATES35 cents A POUND ANY DAY You havent any idea how good this candyis unless you have eaten some. The price doesnt give any idea how good itis Indeed, you
Programme . atter of ease of execution ofthe piece; if Auer, to whom the work is dedicated, intrigued againstme, so am I doubly thankful to dear Brodsky, in that for my sake hemust stand the curses of the Viennese journals. * For an entertaining account of Brodsky and his life in Leipsic, given by Tschaikowsky himself in hisabove mentioned Diary, see Rosa Newmarchs Tschaikowsky, pp. i8o-iq6 (London, 1890). GET A BOX OF REHEARSAL MIXED CHOCOLATES35 cents A POUND ANY DAY You havent any idea how good this candyis unless you have eaten some. The price doesnt give any idea how good itis Indeed, you often have to pay twice as muchfor this quality elsewhere. We can sell this candy so low-priced becauseit is made especially for us in enormous quanti-ties in one of the most livgienic candy factoriesin New England. Up-to-date business methodsand cosi-saving processes make it possible. Try a box to-day, 35c. HUBBELL & McGOWA/\ REXALL STORE Opposite Symphony Hall 4 %mx^ 3f llxlkr LOUIS XVI. THE LYRIC GRAND. Richlyfigured Mahogany, with carving From our New Art Catalogue, sent free on application. Henry F. Miller & Sons Piano Co. 395 BoYLSTON Street, Boston 443 The review of Hanslick is preserv^ed in the volume of his collectedfeuilletons entitled Concerte, Componisten, und Virtuosen der letz-ten fiinfzehn Jahre, 1870-1885, pp. 295, 296 (Berlin, 1886). Thecriticism in its fierce extravagance now seems to us amusing. Hereare extracts: For a while the concerto has proportion, is musical, andis not without genius, but soon savagery gains the upper hand and lordsit to the end of the first movement. The violin is no longer played:it is yanked about, it is torn asunder, it is beaten black and blue. Ido not know whether it is possible for any one to conquer these hair-raising difficulties, but I do know that Mr. Brodsky martyrized hishearers as well as himself. The Adagio, with its tender nationalmelody, almost conciliates, almost wins us. But it breaks off ab
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