International studio . THE KIMONO. BY SPENCER PRYSE. HOOLEYS ARCHESBY SPENCER PRYSE Studio-Talk STUDIO-TALK.(From Our Own Correspondents.) LONDON.—The landscape exhibitions heldannually at the Old Water ColourSocietys Galleries have always been re--^ markable for their pastoral character andthe intimacy of the appeal to lovers of the Englishcountry-side. A new element, however, made itselffelt this year in the work of recent members, thoughamong them Mr. Alfred Parsons still perfectlycarried on the old tradition, never in fact havingbeen in better vein than on these congenial Laverys
International studio . THE KIMONO. BY SPENCER PRYSE. HOOLEYS ARCHESBY SPENCER PRYSE Studio-Talk STUDIO-TALK.(From Our Own Correspondents.) LONDON.—The landscape exhibitions heldannually at the Old Water ColourSocietys Galleries have always been re--^ markable for their pastoral character andthe intimacy of the appeal to lovers of the Englishcountry-side. A new element, however, made itselffelt this year in the work of recent members, thoughamong them Mr. Alfred Parsons still perfectlycarried on the old tradition, never in fact havingbeen in better vein than on these congenial Laverys art has not quite made itself at homein these surroundings. Mr. Lamorna Birch insubject-matter strikes the right key, but like Stokes he has not the secret of the pleasantpalette with which the old members of this ex-hibition have annually bid defiance to the innova-tions of the modern artists colourmen. The late Mr. J. Aumoniers art was commemorated byseven pictures, and Mr. R. W. Allan and Thomson were well represented. Few
Size: 1480px × 1687px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
