International studio . Mr. Andrew Gamley;Parkland, by Mr. Eric Robertson ; TheGreen Door pastel, by T. C. CampbellMackie ; and three works marked by asincere and joyous outlook—CullenHarbour, Moray Firth, by Mr. James ; Fishing Nets, Cromarty, by Smith ; and The Comique, by Miles Johnston. 000 E. A. Taylor. STUDIO-TALK. {From our own Correspondents.) LONDON.—Mr. William Rothenstein,Professor of Civic Art in the Uni-versity of Sheffield, has been appointedPi-incipal and Headmaster of the RoyalCollege of Art at South Kensington, insuccession to Mr. Augustus Spencer,who retires
International studio . Mr. Andrew Gamley;Parkland, by Mr. Eric Robertson ; TheGreen Door pastel, by T. C. CampbellMackie ; and three works marked by asincere and joyous outlook—CullenHarbour, Moray Firth, by Mr. James ; Fishing Nets, Cromarty, by Smith ; and The Comique, by Miles Johnston. 000 E. A. Taylor. STUDIO-TALK. {From our own Correspondents.) LONDON.—Mr. William Rothenstein,Professor of Civic Art in the Uni-versity of Sheffield, has been appointedPi-incipal and Headmaster of the RoyalCollege of Art at South Kensington, insuccession to Mr. Augustus Spencer,who retires after holding the position fortwenty years, and it is announced thathe will enter on his duties at the beginningof the new term next month. Theappointment is of no Httle significancein view of the criticisms that have duringthe past few years been directed againstthe policy of the College. Under , a native of Yorkshire like hissuccessor, much good work has certainlybeen done in the various departments—. CHINESE ACTRESS HSOU-SAN. SANGUINE ANDCHARCOAL DRAWING BYALEXANDRE lACOVLEFF 23 STUDIO-TALK in modelling, for instance, under thelate Professor Lanteri, and in etchingand engraving under Sir Frank Short,as well as in other branches of the so-called fine arts, the institution hasgained a very high prestige, and on theside of the applied arts its success hasbeen greater than some of the criticshave admitted. There has, however,grown up the impression that the Collegehas become too much an institution forthe training of art teachers, and the factthat a large proportion of the art mastersin schools at home and over-seas holdthe diploma of the College gives weightto this impression. In Mr. Rothensteinthe College will have a principal whoenjoys a high reputation as a painterof liberal views, and who recognises thevital need of a closer co-operation betweenart and industry than has existed hitherto,and no doubt the question of the futurepolicy of the College as it affe
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