Calendar 1914-1915 . (2) To sing arpeggios of the major and minor common chord and theirinversion, and of the dominant and diminished sevenths from a given the following examples:—. (All these examples may be transposed to suit the compass of the voice.) 612 University of Toronto. (3) To sing any interval above or below a given note. (4) To vocalize four studies of different character, two of which must bein a minor key, selected from The Masterpieces of Vocalization, Book III(Schirmer), edited by Max Spicker, which may be obtained for soprano,mezzo-soprano, alto, tenor, baritone and
Calendar 1914-1915 . (2) To sing arpeggios of the major and minor common chord and theirinversion, and of the dominant and diminished sevenths from a given the following examples:—. (All these examples may be transposed to suit the compass of the voice.) 612 University of Toronto. (3) To sing any interval above or below a given note. (4) To vocalize four studies of different character, two of which must bein a minor key, selected from The Masterpieces of Vocalization, Book III(Schirmer), edited by Max Spicker, which may be obtained for soprano,mezzo-soprano, alto, tenor, baritone and bass. The studies must be chosenfrom the book suited to the compass of the candidates voice. (5) To sing four songs from the lists (a) and (b)—two from each list,(fi) To sing two selections from the oratorio and two from the operatic lists respectively. (7) To sing two recitatives selected from groups (a) and (b)—one fromeach group. (8) To sing at sight, (1) an unaccompanied melody; (2) a portion of asong of moderate difficulty with accompaniment. (9) To sing and play the accompaniment of any solo given in the list forthe Junior Local Examinations in Singing, and previously prepa
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Keywords: ., bookauthoruniversi, bookcentury1900, bookdecade1910, bookyear1915
