. Studio international . Mi ii »NRISE <\\ \ II R-C01 OUR)BY WILLIAM I. wool) Studio-Talk. BY MAX ol |ip in tli ttti r I trei I introduces us to something that is Maeterlinckian. A house lost in the heart of the country, an opendoor at the end of a passage, a face or hands atrest, and by these simple images will he add toour consciousness of life. Thus has Maeterlinckwritten of this type of artist. Where Mr. Wilkinsonfails us. if he will allow us to saj so, is where heturns to depicting action ; he still retains the deco-rative feeling, hut in the attitudes they assume hismodels sometimes lo
. Studio international . Mi ii »NRISE <\\ \ II R-C01 OUR)BY WILLIAM I. wool) Studio-Talk. BY MAX ol |ip in tli ttti r I trei I introduces us to something that is Maeterlinckian. A house lost in the heart of the country, an opendoor at the end of a passage, a face or hands atrest, and by these simple images will he add toour consciousness of life. Thus has Maeterlinckwritten of this type of artist. Where Mr. Wilkinsonfails us. if he will allow us to saj so, is where heturns to depicting action ; he still retains the deco-rative feeling, hut in the attitudes they assume hismodels sometimes look as if petrifaction had fallenupon them. Mi ssrs. Carfax have been showing at their gallery some drawings by Mr. (. Maresco learce. is a draughtsman with a distinct sense ofstyle, and an appreciation of the incident of un-assuming architecture and the picturesqueness ofquays. He works with pencil touched with wash. The French sculptor, Max Blondat, whose beauti-ful creations our readers may recall in past exhibi-tions of the Royal Academy, excelled himself inthe exquisite gro
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
