Illustrated notes upon the pictures in the Dramatic Fine Art Gallery, 1880. . 27, FiOS CASTLE. F. VOKES. 3* WARD, Miss GENEVIEVE. Miss Ward is both versatile and industrious, and her artisticaspirations are not confined to one branch of art. Herpaintings are worthy studies or copies, and it is a wonderthat, with her evident manipulative power, she has not donemore original work. 17, Studies in Fruit, is a piece of. careful work. 34, Sheep, is a marvellously faithful copy ofthe style and manner of Verboeckhoven, and 107, A Seaport9after Kuwassyg, is exceedingly clever. 111, A Sketch, is pre-sum
Illustrated notes upon the pictures in the Dramatic Fine Art Gallery, 1880. . 27, FiOS CASTLE. F. VOKES. 3* WARD, Miss GENEVIEVE. Miss Ward is both versatile and industrious, and her artisticaspirations are not confined to one branch of art. Herpaintings are worthy studies or copies, and it is a wonderthat, with her evident manipulative power, she has not donemore original work. 17, Studies in Fruit, is a piece of. careful work. 34, Sheep, is a marvellously faithful copy ofthe style and manner of Verboeckhoven, and 107, A Seaport9after Kuwassyg, is exceedingly clever. 111, A Sketch, is pre-sumably not a copy ; though it is but small, it shows that theartist has a reserve of talent which she would do well tocultivate. In the Bust of my Father, from memory, centrestand, much skill in modelling is manifested. 39 WELLSBOURNE, Mrs. R. W. On Screen, A Landscape with Cattle, and 64, H. T. Craven,in his own drama of Milky White, are of such a high orderof merit as to lead us to believe that this lady has devoted con-siderable time to painting. Both pictures can hold their own
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Keywords: ., bookcentury1800, bookdecade1880, booki, booksubjectdrawingbritish
