Text-book of simple and double counterpoint including imitation or canon . i^ ^= -25^-. Double counterpoint in the eleventh requires more attention,because the sixth remains a sixth. This species is similar to thatin the twelfth, in as much as the third remains a third when in-verted. We will understand it more readily, if we write acounterpoint, which repeatedly forms sixths to the cantus the following for the other intervals: 231. 31: -^^=^-=%-- 7 10 ° *©. ^ — ja ±: _ r:: -S/5> g^- ^ ^ U 10 9 7 that is, practical value could be drawn from the inversionrelationships of the f
Text-book of simple and double counterpoint including imitation or canon . i^ ^= -25^-. Double counterpoint in the eleventh requires more attention,because the sixth remains a sixth. This species is similar to thatin the twelfth, in as much as the third remains a third when in-verted. We will understand it more readily, if we write acounterpoint, which repeatedly forms sixths to the cantus the following for the other intervals: 231. 31: -^^=^-=%-- 7 10 ° *©. ^ — ja ±: _ r:: -S/5> g^- ^ ^ U 10 9 7 that is, practical value could be drawn from the inversionrelationships of the fourth and octave. 10* 148 n. DOUBLE COUNTERPOINT. Problem 52: Double counterpoint in the ^^- ^- I ! I J I I , C. f. FTT. ^—T~^ ^^ 1 I i d I ^ Cpt. ^^S p^=f=e-fT^c^f=r=FS£^=^r ——11=:=^ l-gi^ i The inversion:233. F. * C. f. E^=a-—LZIz=ra=EE:ZZ ^—T m , r; J 1 -(»• f J=;f5 ^ =^iii= :i^= it±i:zji. ^bg-^j—j44=i^ i^ ^ ^^ =w ^ -•- After all, the profit to be gotten from this species is onlymoderate; the translocations of the voices from one octaveposition t
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