Writing table (bureau plat) ca. 1780 Jean-François Leleu This bureau plat by Jean-François Leleu exemplifies the Neoclassical style favored by elite French patrons at the end of the eighteenth century. Jean-François Leleu (1729–1807) was trained, alongside his rival Jean-Henri Riesener, in the workshop of Jean-François Oeben. Leleu became a master ébéniste in 1764 and enjoyed the patronage of wealthy aristocrats, including the Prince de Condé, Louis-Joseph de Bourbon. Similar to the pieces produced for the prince de Condé’s Palais-Bourbon, this table reflects the strong, masculine Neoclassical
Writing table (bureau plat) ca. 1780 Jean-François Leleu This bureau plat by Jean-François Leleu exemplifies the Neoclassical style favored by elite French patrons at the end of the eighteenth century. Jean-François Leleu (1729–1807) was trained, alongside his rival Jean-Henri Riesener, in the workshop of Jean-François Oeben. Leleu became a master ébéniste in 1764 and enjoyed the patronage of wealthy aristocrats, including the Prince de Condé, Louis-Joseph de Bourbon. Similar to the pieces produced for the prince de Condé’s Palais-Bourbon, this table reflects the strong, masculine Neoclassical forms favored by Leleu, evidenced by the tapering architectural legs and gilt-bronze ornaments. A similar writing table is rendered in the 1808 portrait of Charles Maurice Talleyrand by François Gérard also in the museum’s collection ().References:Yannick Chastang. Paintings in Wood: French Marquetry Furniture. London: The Wallace Collection, Calley Galitz, "François Gérard: Portraiture, Scandal and the Art of Power in Napoleonic France," The Metropolitan Musuem of Art Bulletin, LXXI: 1 (Summer 2013), 5– Writing table (bureau plat) 205499
Size: 1974px × 1062px
Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
Model Released: No
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