. Programme . erested him, he would like a wordabout them. Billroth immediately wrote out his opinion. He praisedthe musical music, rejoiced in the happy mood, said that the secondconcerto was to the first as the man to the youth, but he thought thecharming Scherzo hardly in keeping with the simpler form ofthe first movement. This Allegro appassionato put between the Allegronon troppo and the Andante gave the concerto the form of a sym-phony. Indeed, Hanslick, Reimann, and others have described theconcerto as a symphony with pianoforte obbhgato. But Brahmsdid not insert the Scherzo for the sak
. Programme . erested him, he would like a wordabout them. Billroth immediately wrote out his opinion. He praisedthe musical music, rejoiced in the happy mood, said that the secondconcerto was to the first as the man to the youth, but he thought thecharming Scherzo hardly in keeping with the simpler form ofthe first movement. This Allegro appassionato put between the Allegronon troppo and the Andante gave the concerto the form of a sym-phony. Indeed, Hanslick, Reimann, and others have described theconcerto as a symphony with pianoforte obbhgato. But Brahmsdid not insert the Scherzo for the sake of symphonic form; he fearedthat without it the Adagio mood would dominate the work. Bill-roth, who afterwards wrote to Wilhelm Ltibke that the Scherzo couldbe omitted without injury, for, interesting as it was, it was unnecessary,conferring with Brahms in the matter, received the answer that, as thefirst movement was so simple, there was need of a vigorous and passion-ate movement before the simple Private, Individual and Class Instruction; also Classes for Children Studio conveniently situated Terms of tuition on request 409-410 NOTTINGHAM BUILDING 25 Huntington Ave. Boston, Mass. Telephone. B. B. 7988 Miss Alicia Meredith cordially invites in-spection of her studio -A V«N\fc. ITS SALADA ORANGE PEKOE AT BREAKFAST,DINNER, SUPPER ^m:M At Special FIVE OCLOCKS and every otherjtime and placewhere a cup of tea IN PERFECTION is appreciated.
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Keywords: ., bookcentury1800, bookdecade1880, bookidprogramme192, bookyear1881
