Forest Scene Narcisse-Virgile Diaz de la Peña (French, 1807-1876). , 1844-1860. Oil on cradled panel, 17 11/16 x 21 5/8 in. ( x cm). This is one of numerous paintings that Narcisse-Virgile Diaz de la Peña made of the Forest of Fontainebleau. These compositions bolstered the myth of a pure nature, independent of human agency or presence, self-generating, and untouched by modernity or industrialization. Diaz’s pristine Fontainebleau was mostly fictional. The forest had actually become highly popular with urban tourists. City dwellers were nonetheless eager for the escapism of such imag
Forest Scene Narcisse-Virgile Diaz de la Peña (French, 1807-1876). , 1844-1860. Oil on cradled panel, 17 11/16 x 21 5/8 in. ( x cm). This is one of numerous paintings that Narcisse-Virgile Diaz de la Peña made of the Forest of Fontainebleau. These compositions bolstered the myth of a pure nature, independent of human agency or presence, self-generating, and untouched by modernity or industrialization. Diaz’s pristine Fontainebleau was mostly fictional. The forest had actually become highly popular with urban tourists. City dwellers were nonetheless eager for the escapism of such imagery, as one critic noted in an 1847 review of Diaz’s paintings: “We all have quite enough worries in our political and private lives to forgive the arts for reminding us of natural eternally fecund and luxuriant which contrasts so cruelly with our artificial ways.” In 1861, in response to a petition written by the artist Théodore Rousseau expressing concern that the felling of trees and construction of paths and signs for tourists were ruining Fontainebleau’s wild beauty, Emperor Napoleon III created a nature preserve in part of the forest, one of the first of its kind in the world. European Art 1844-1860
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