. International studio. Copyright, iqoq, by N. E. MoiilrossTHE BLUE CUP BY JOSEPH DE CAMP LI The National Academy. Copyright, iqoq. by A. E. MonlrossSUMMER IDVI. BY CHILDE HASSAM Mr. Metcalf, too, knows how to portray the factsof the open air in a manner of authentic While Veil is another study of the New Englandlandscape under a screen of a snowfall, and is atranscript beautiful in its fidelity. Mr. ReidsWild Iris is a satisfying and engaging piece ofwork. Mr. Dewing offered one of his untroubledexercises in a distinctive style in his Yellow Tulips,loaned by Mr. Charles L. Freer. M
. International studio. Copyright, iqoq, by N. E. MoiilrossTHE BLUE CUP BY JOSEPH DE CAMP LI The National Academy. Copyright, iqoq. by A. E. MonlrossSUMMER IDVI. BY CHILDE HASSAM Mr. Metcalf, too, knows how to portray the factsof the open air in a manner of authentic While Veil is another study of the New Englandlandscape under a screen of a snowfall, and is atranscript beautiful in its fidelity. Mr. ReidsWild Iris is a satisfying and engaging piece ofwork. Mr. Dewing offered one of his untroubledexercises in a distinctive style in his Yellow Tulips,loaned by Mr. Charles L. Freer. Mr. Chase sentan accomplished still life, Ihc Wind Mill Etching. T m; RKCENT ofIHK ac.\di:mv liV T. NILS FN LAURVIK Thk recent exhibition of the NationalAcademy of Design maintained its past stand-ard of (jualily, firmly cstal)lished through eightv-four exhibitions of a similar character. Thislast exhibition of the Academy constituted a sortof aflirmation of the fact that it is one of the fewremaining institutions in New York whose |)ro-ccdurc is equable and fixed, maintaining the con-tinu
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