. The air brush in photography, incorporating a progressive series of lessons . Figure 13-AClouded Effect 62. Figure 13Clouded Form TcmphUc Torn from Sheet of Hlotliii,/ I\iper 63 Chapter XXI Lesson Fourteen UT accurately from a sheet of celluloid one of the pointedforms shown in Figure 36. Place the form upon the prac-tice sheet and blow in the design as shown in Figure 14,using the spray best suited to the operator. The successof air-brushing these clouded or pointed forms dependsupon the smoothness with which the color is applied. Thesedesigns when finished must be devoid of all dif


. The air brush in photography, incorporating a progressive series of lessons . Figure 13-AClouded Effect 62. Figure 13Clouded Form TcmphUc Torn from Sheet of Hlotliii,/ I\iper 63 Chapter XXI Lesson Fourteen UT accurately from a sheet of celluloid one of the pointedforms shown in Figure 36. Place the form upon the prac-tice sheet and blow in the design as shown in Figure 14,using the spray best suited to the operator. The successof air-brushing these clouded or pointed forms dependsupon the smoothness with which the color is applied. Thesedesigns when finished must be devoid of all difference will be noted between this Lesson and Lesson Thir-teen, in that the outline of the pointed forms must be sharp and clear-cut, while the clouded effects are more indistinct. The pointed formswill be found very useful in actual work later, and this Lesson shouldbe practised until one has complete familiarity with their use.


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