George Washington Maher (Designer). Portière. 1901. United States. Cotton and silk, plain weave with pile warps forming cut solid velvet; appliquéd with silk and cotton, satin damask weave; linen and gilt-strip-wrapped linen satin weave; cotton and silk plain weaves; embroidered with silk, cotton, linen, and gilt-metal-strip-wrapped linen threads Chicago architect George W. Maher was one of many Americans who embraced the English Arts and Crafts movement, incorporating into his residential designs an emphasis on simplicity, natural forms, and respect for materials. This silk and cotton Portièr
George Washington Maher (Designer). Portière. 1901. United States. Cotton and silk, plain weave with pile warps forming cut solid velvet; appliquéd with silk and cotton, satin damask weave; linen and gilt-strip-wrapped linen satin weave; cotton and silk plain weaves; embroidered with silk, cotton, linen, and gilt-metal-strip-wrapped linen threads Chicago architect George W. Maher was one of many Americans who embraced the English Arts and Crafts movement, incorporating into his residential designs an emphasis on simplicity, natural forms, and respect for materials. This silk and cotton Portière hung over a doorway in Maher’s James A. Patten house in Evanston, Illinois, built in 1901. The highly stylized and linear thistle motif created for this panel and other elements of the Patten house by Maher and designer Louis J. Millet helped achieve the decorative rhythm and unity that Maher believed was essential to the successful design of any residence.
Size: 1861px × 3000px
Photo credit: © WBC ART / Alamy / Afripics
License: Licensed
Model Released: No
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