Penman's Art Journal . ARTILY COMMEND Joo GRADED PEN COPIES. THE GRAND REVIEW WILL BE W. P. Parsons, -nh G. W. Dix. 228 E. P. Quintal. 217 D. L. Musselman, 218 A. H. Hinman. 219 A. P. Root, 220 I. W. Pierson, 221 W. A. Moulder. 222 A. P. K Krout, 223 C. A Berniard. „. ^ rii *..-„- v r,i t r^ J. Smith, 2i8 C. P. Bautel. H. Fox, 230 H. K. Good. 231 J. M. Balzer, 232 J. E. Bowman, 233 B. H. Parrish, 23) L. M. Hatton, 233 W. W, Way, 2311 M. A_. Connei-, 237 R. A. Grant, 2W J. , 23l)Sylvanus ApKar, 240 D. M. Keefer. 241 W. T. Piirks. 242 S D. Holt, 213 W. W. Mer
Penman's Art Journal . ARTILY COMMEND Joo GRADED PEN COPIES. THE GRAND REVIEW WILL BE W. P. Parsons, -nh G. W. Dix. 228 E. P. Quintal. 217 D. L. Musselman, 218 A. H. Hinman. 219 A. P. Root, 220 I. W. Pierson, 221 W. A. Moulder. 222 A. P. K Krout, 223 C. A Berniard. „. ^ rii *..-„- v r,i t r^ J. Smith, 2i8 C. P. Bautel. H. Fox, 230 H. K. Good. 231 J. M. Balzer, 232 J. E. Bowman, 233 B. H. Parrish, 23) L. M. Hatton, 233 W. W, Way, 2311 M. A_. Connei-, 237 R. A. Grant, 2W J. , 23l)Sylvanus ApKar, 240 D. M. Keefer. 241 W. T. Piirks. 242 S D. Holt, 213 W. W. Merriman, 244 H. P. Crumb. 245 R. R. Lane, Mrs M. E Swarzfi. 24i C. G, Prince, 2«.C. C. CiE. W. VanKlrk, 260 J. D. Carter, 2.)1 B. B. Poster, 2a: W. I Stalev. 253 Q. W. Burke, .Ir., 25) Hobart Webster, 2,55 C. W. Smith, 26» S. H. Banward, Itm C. S. Hammock, 2«l B. A. Wright, 2(!2 J. D. Fair, 2li3 F. J. Sargent, 204 Geo. Thomson. _. .. 24!) r C. E. Bigelow, 253 Jay Smith, 2,5,) J. L. Hay- Sketching from ZANEK, COLUMBUS, ()., PRESIDENTZANERIAN ART COLLEGE. WILL be well to bear in mindthat these are not carefuldranlngB made fromsketches, Ptudies, or photo-graphs, but quickly madesketches direct from sketch was made inabout thirty minutes. Youneed not make yours in thattime. Make your sketch aswell as you can, if it takes aday. What I mean is thattime is not the prime essen-tial in learning ; it is comes with famil-iarity and with the demandsof the trade. In the first sketch we havetwo hemlock trees close to-gether, the one behind theother, and some mountainsand water suggested. Re-member it was the trees wewere after rather than themountain scenery. Every-thing is made subordinate to the trees in size and coloring, so that the eye of the ob-server will be sure to notice that which interested theartist most. The artist thought the trees, as he sawthem, the most beautiful of their kind, and he has there-fore endeavored to express that
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