. The American annual of photography. e do the rest. Such work as Garo, Goldensky, Strauss, Pierce, and othersdo, and such mounts as they give their prints was first intro-duced by the amateur and then bought by him. It may be questioned as to why this rambling talk has beencalled Gallery Lighting. Well, Ill tell you. A stiff cardboard,probably of glossy black or dark brown, with the name of theStudio in the lower right corner, a carte de viste, cabinet, orParis Panel size print thoroughly glued on and not unlikelyhighly glazed with a high embossing to add effect, a faceturned a little from th
. The American annual of photography. e do the rest. Such work as Garo, Goldensky, Strauss, Pierce, and othersdo, and such mounts as they give their prints was first intro-duced by the amateur and then bought by him. It may be questioned as to why this rambling talk has beencalled Gallery Lighting. Well, Ill tell you. A stiff cardboard,probably of glossy black or dark brown, with the name of theStudio in the lower right corner, a carte de viste, cabinet, orParis Panel size print thoroughly glued on and not unlikelyhighly glazed with a high embossing to add effect, a faceturned a little from the front, light three quarter top andfront, an elaborately carved chair with plush upholstery andfringe and tassels, a marble topped table on which to lean theelbow, a carefully crooked arm and drooping hand, a spottedalabaster retouched complexion. One Fifty for the smallestsize, Cabinets Three Dollars and a half please, and this veryfine large Panel Five Dollars. All this, dear reader, is to use acomprehensive term Gallery SWANS. THOMAS CARLYLE.
Size: 2104px × 1188px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1900, bookdecade1910, bookpublishernewyorktennantandw
