. Thinking, feeling, doing . Fig. 49. Influence of Pitch on the Power of Grasp. It might be suggested that the special melodies associ-ated with each scale may have had much to do with thecase. Nevertheless it has been proven that the pitchitself has an effect on the greatest strength of grip. Fig. 50. Dynamograph. 49 shows the number of pounds for one persons hand-grip as the scale was run up on the piano. In order to indicate the pressure continuously the Power and Will. 87 dynamometer can be arranged in connection with the of the graphic method. One such arrangemen
. Thinking, feeling, doing . Fig. 49. Influence of Pitch on the Power of Grasp. It might be suggested that the special melodies associ-ated with each scale may have had much to do with thecase. Nevertheless it has been proven that the pitchitself has an effect on the greatest strength of grip. Fig. 50. Dynamograph. 49 shows the number of pounds for one persons hand-grip as the scale was run up on the piano. In order to indicate the pressure continuously the Power and Will. 87 dynamometer can be arranged in connection with the of the graphic method. One such arrangementis shown in Fig. 50. As the hand squeezes the dyna-mometer the pointer on the drum moves to one fluctuation in the squeeze is shown, and when thesmoked paper is taken from the drum and varnished wehave a complete record. Such a tracing from an hysteri-cal person squeezing as hard as possible is shown in Fig. 51- The power of squeeze is changed by various disturb- Influence ofnoises.
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Keywords: ., bookcentury1800, bookdecade1890, booksubjectpsychop, bookyear1895
