. Paris and its story, by T. Okey; illustrated by Katherine Kimball & O. F. M. Ward . utionary schoolof painting, is, of course, untenable, for France, as a nation,can scarcely be said to have existed, in the wider sense ofthe term, before the end of Louis XLs reign. Whenthat monarch came to the throne Paris and North Francehad been sorely exhausted by the century of the Englishwars ; Burgundy was an independent state; Provence,with its capital Aix, and Avignon were independentcounties, ruled by the Counts of Provence and the more rational classification into schools would perhaps,as Di
. Paris and its story, by T. Okey; illustrated by Katherine Kimball & O. F. M. Ward . utionary schoolof painting, is, of course, untenable, for France, as a nation,can scarcely be said to have existed, in the wider sense ofthe term, before the end of Louis XLs reign. Whenthat monarch came to the throne Paris and North Francehad been sorely exhausted by the century of the Englishwars ; Burgundy was an independent state; Provence,with its capital Aix, and Avignon were independentcounties, ruled by the Counts of Provence and the more rational classification into schools would perhaps,as Dimier has hinted, follow the lines of racial division—French and Teutonic. For many of the Flemish artistswere French in race, as, for instance, Roger Van derWeyden, who was known to Italians as Rogerus Gallicus,and called himself Roger de la Pasture. The two great schools of Christian painting in Europewere born, grew and flourished in the free cities of Flandersin the north, and in the free cities of Italy in the masters, working in the provincial centres of Tours,.
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Keywords: ., boo, bookcentury1900, bookdecade1900, booksubjectart, bookyear1904
