. Programme . for violoncello; quin-tet for pianoforte and strings. This quintet showed the influenceof Brahms. Edouard Colonne heard the violin sonata played at the houseof the Princess Bibesco, who had befriended the boy praised byFaure, Massenet, and Saint-Saens. He asked if Enesco had notcomposed an orchestral work. He was shown the Poeme Roumain,which he produced at a Chatelet concert, February 6, 1898. Enescobecame at once known to the public. He was soon heard as aviolinist. As a virtuoso he has gained an enviable reputation Eminent Polish Pianist For recitals and recital talks address


. Programme . for violoncello; quin-tet for pianoforte and strings. This quintet showed the influenceof Brahms. Edouard Colonne heard the violin sonata played at the houseof the Princess Bibesco, who had befriended the boy praised byFaure, Massenet, and Saint-Saens. He asked if Enesco had notcomposed an orchestral work. He was shown the Poeme Roumain,which he produced at a Chatelet concert, February 6, 1898. Enescobecame at once known to the public. He was soon heard as aviolinist. As a virtuoso he has gained an enviable reputation Eminent Polish Pianist For recitals and recital talks address A. H. Handley, Boylston Street, Boston. Madame Szumowska also acceptspupils at her residence, 11 Channing Street, Cambridge,Telephone, Cambridge 1502-M. Pupil of SILVESTRI, Naples, Italy TEACHER OFMandolin, Guitar, Banjo and Ukulele Foreign and American Instruments For Sale214 Newbury Street, Boston Telephone, Back Bay 4613-R ANTIQUES UNUSUAL CHOICE UNIQUE PHILIPS BUILDING120 TREMONT STREET. BOSTON. 116 through Europe. He is, or was, court violinist to the Queen ofRoumania. Enesco is reported as having said some years ago to a visitor:— People have been puzzled and annoj^ed because they have beenunable to catalogue and classify me in the usual way. They couldnot decide exactly what type of music mine was. It was not Frenchafter the manner of Debussy, it was not exactly German, they de-clared. In short, while it did not sound outlandish, it did not closelyresemble anything familiar, and people are annoyed when they can-not readily classify one. That, I feel sure, comes from the fact that my musical educa-tion was not confined to one locality. I was born in Roumania(and I return there for a while every summer), but when I wasseven years old I was studying in Vienna, and, incidentally, com-posing sonatas, rondos and a good many other things. ... I be-came violinist in one of the large orchestras in Vienna, and whenHellmesberger conducted a large choral society which


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Keywords: ., bookcentury1800, bookdecade1880, bookidprogramme192, bookyear1881