Welcoming Descent of Amida and Bodhisattvas late 14th century Unidentified artist Like many of the works of art created to represent the Pure Land belief in salvation through faith, raig? ("welcoming descent") paintings like this one were indispensable religious furnishings at the time of death. Such raigo paintings depict the scene in which Amida (Sanskrit: Amitabha) and his attendants descend from heaven to take a believer back to the Western Paradise on a lotus throne. The scrolls were often hung by the bedside of the dying to ensure the prospect of rebirth in paradise. Since traditionally
Welcoming Descent of Amida and Bodhisattvas late 14th century Unidentified artist Like many of the works of art created to represent the Pure Land belief in salvation through faith, raig? ("welcoming descent") paintings like this one were indispensable religious furnishings at the time of death. Such raigo paintings depict the scene in which Amida (Sanskrit: Amitabha) and his attendants descend from heaven to take a believer back to the Western Paradise on a lotus throne. The scrolls were often hung by the bedside of the dying to ensure the prospect of rebirth in paradise. Since traditionally the dying lay with their heads to the north and their faces turned west, raig? paintings usually depict the Buddha and his entourage coming from the upper left down toward the lower right so as to meet the gaze of the dying. Sometimes silken cords were attached to Buddha's hand, offering the dying physical assistance during the journey to paradise. Listen to experts illuminate this artwork's story Listen Play or pause #8845. Welcoming Descent of Amida and Bodhisattvas Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as Welcoming Descent of Amida and Bodhisattvas. Unidentified artist. Japan. late 14th century. Hanging scroll; ink, color, and gold on silk. Nanbokuch? period (1336–92). Paintings
Size: 2051px × 4000px
Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
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