. Programme. voices,eight mezzo-soprano voices, strings. Moderement anime, 12-8. Debussy before his death made many changes in the instrumenta-tion of these Nocturnes. The score is dedicated to Georges Hartmann, music publisherand librettist. Jean Marnold contributed an elaborate study ofthese Nocturnes to Le Gourrier Musical (Paris), March 1, 15, May1, December 15, 1902; January 10, February 15, 1903. He analyzedthem minutely, with the aid of many illustrations in musical nota-tion, and dissected the tonal and harmonic syntax of the arrived at two conclusions:— 1. The natural pred


. Programme. voices,eight mezzo-soprano voices, strings. Moderement anime, 12-8. Debussy before his death made many changes in the instrumenta-tion of these Nocturnes. The score is dedicated to Georges Hartmann, music publisherand librettist. Jean Marnold contributed an elaborate study ofthese Nocturnes to Le Gourrier Musical (Paris), March 1, 15, May1, December 15, 1902; January 10, February 15, 1903. He analyzedthem minutely, with the aid of many illustrations in musical nota-tion, and dissected the tonal and harmonic syntax of the arrived at two conclusions:— 1. The natural predisposition of the human organism to per- ANNOUNCE ARRIVAL OF NEW IMPORTATIONS representing the last word in exclusive Paris Modes GOWNS WRAPS MILLINERY Youthfulness, which has always been the outstanding feature of our Apparel, ismore than emphasized in this collection Moderate Prices Prevailing Special attention given to the requirements of Debutantes, Brides and Bridesmaids 651-653 BOYLSTON STREET, BOSTON. ceive sonorous combinations according to the simplest relationswould as a consequence have only the introduction into our musicof the interval corresponding to the harmonics 7 and 11. 2. After all the masterpieces which constitute the history ofour music as it is written by the greatest masters, the Nocturnesand the whole work of Claude Debussy are as a flat denial to everydogmatic theory. But in the ten centuries of the evolution of ourmusical art there is, perhaps, not one instance of such an importantstep as this in advance. ENTRACTE DON JUAN: THE LEGEND CONTINUED. (A. B. Walkley in The London Times of March 9, 1921) Poor Don Juan! Even now, after all these years, they wont leavehim alone. They are not content that he should be tormented inHades, but take a malign pleasure in tormenting his legend onearth. Is it moral reprobation? Is it a secret jealousy? Or isit, perhaps, the temptation his legend still offers to the scribblingrace, the feeling among them that the pos


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Keywords: ., bookauthorbostonsy, bookcentury1800, bookdecade1880, bookyear1881