An analysis of Gothic architecture Illustrated by a series of upwards of seven hundred examples of doorways, windows, mouldings, roofs, arches, crosses, panels, buttresses, seats, screens, etc., and accompanied with remarks on the several details of an ecclesiastical edifice . tects of either the Early English or the Decorated eras :thus, at Steyning Church, Sussex, we observe Anglo-Norman clearstory windows placedsingly; while they form arcades at St Margaret at Cliffe, Kent, and St Peters,Northampton. At Southwell, as has already been remarked, the clearstory windowsare circular. In Early En


An analysis of Gothic architecture Illustrated by a series of upwards of seven hundred examples of doorways, windows, mouldings, roofs, arches, crosses, panels, buttresses, seats, screens, etc., and accompanied with remarks on the several details of an ecclesiastical edifice . tects of either the Early English or the Decorated eras :thus, at Steyning Church, Sussex, we observe Anglo-Norman clearstory windows placedsingly; while they form arcades at St Margaret at Cliffe, Kent, and St Peters,Northampton. At Southwell, as has already been remarked, the clearstory windowsare circular. In Early English Churches the clearstory but rarely formed a part ofthe design, except in the Cathedrals and other large Structures. Salisbury, Ely,Lincoln, and St Albans, have Early English clearstories : and in Warmington Church,Northants, we find this feature consisting of a series of two-light windows.! Clear- * The term Label (borrowed from Heraldry) exclusively denotes a horizontal string with rectangularreturns: and the terms dripstone and hood-mold, severally refer to exterior and interior strings whichenclose arches or openings. These terms are often, but most incorrectly, used indiscriminately. t See Parish Churches, Vol. I., page 17. 36 ANALYSIS OF GOTHIC


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