Illustrations in choir accompaniment : with hints in registration : a hand-book (provided with marginal notes for reference) for the use of organ students, organists, and those interested in church music . t, in accompanying voices, the eight-foot tone must prevail as being in imison with thevoices. If greater brilliancy is required, the four-foot stojJS are next added. Only in case of achorus is the sixteen-foot tone to be added to the manual in chords, unless possibly in accom-panying a quartet, when the four voices sing in unison. In the chant, it is sometimes advisable Doubling _ _ the Int
Illustrations in choir accompaniment : with hints in registration : a hand-book (provided with marginal notes for reference) for the use of organ students, organists, and those interested in church music . t, in accompanying voices, the eight-foot tone must prevail as being in imison with thevoices. If greater brilliancy is required, the four-foot stojJS are next added. Only in case of achorus is the sixteen-foot tone to be added to the manual in chords, unless possibly in accom-panying a quartet, when the four voices sing in unison. In the chant, it is sometimes advisable Doubling _ _ the Intervals to double the intervals of the chord as written. This should only be continued for a measure or ofa chord, in-two, and the effect of thus filling up the chord in the left hand will be that of drawing a stop of ^•=** °^ ^^^ • • ^ 1 • ? rrn !• c /v S StOpS Of Sixteen feet equal m power to the origmal combination. Thus the sixteen-foot effect is sixteen-foottemporarily produced by the fingers without drawing a stop, and will emphasize the words fittingly employed. Example 41. ii Swell Org witliout Pedals \ 0 speak good of the Lord, all ye works j1 of Ills, in all places of. Praise tliou the Example 41 represents the latter half of a Double Chant. The first three jneasures areaccompanied upon the Swell or Choir Organ. At the fourth measure, the Great Organ enterswath pedals, and the chords filled out during the words, Praise thou the Lord. With thewords, O my soul, the pure four parts are resumed.* The small notes represent the tonesadded by the player, the large notes the vocal parts. The additions to the left hand producethe sixteen-foot effect. Those to the right hand simply aid the fulness and balance the left. If the chord had chanced to lie lower in the left hand, the sixteen-foot effect woidd havebeen still more perceptible. It is evident that consecutive octaves abound in such cases, but so they do wheneverstops of different pitch are added to an
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Keywords: ., bookcentury1800, bookdecade1880, booksubjectorganmu, bookyear1888
