A treatise of painting . to be bent, and the Shoul-der, over which the Head reclines, to be wn-ar the When the Arms are extended behind theBack*Elbows may the Elbows Hand at the fame Diftance from eachbe drawn to-other, that is found, between the Elbow and thegethcr, behinden(j 0f t^Q long Finger 5 that is, the Elbows atthe Back. ^lieir neareft Approach in this Difpolition, arejiift removed from each other, the Space, that isbetween the Tip of the middle Finger and thatof the Elbow \ the two Arms in this Situation,forming a perfeft Square : And the furtheitreach of the Arm acrofs


A treatise of painting . to be bent, and the Shoul-der, over which the Head reclines, to be wn-ar the When the Arms are extended behind theBack*Elbows may the Elbows Hand at the fame Diftance from eachbe drawn to-other, that is found, between the Elbow and thegethcr, behinden(j 0f t^Q long Finger 5 that is, the Elbows atthe Back. ^lieir neareft Approach in this Difpolition, arejiift removed from each other, the Space, that isbetween the Tip of the middle Finger and thatof the Elbow \ the two Arms in this Situation,forming a perfeft Square : And the furtheitreach of the Arm acrofs theStomach,is then kcnywhen the Elbow is found in the middle of th*Stomach ?, fo as that the Elbows, the Shoulders,GftheT>ifPo-and the Arms, form an Equilateral of the A Man difpohng himfelf to deal feme violentMembers, Stroke, bends, and turns from the Mark at™hmaManis which he aims with a Motion, contrary to thatEETSfch wherewith he intends to ftrike ; where, collect 10 Violence. frjnt. : ..


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Keywords: ., bookauthorleonardodavinci14521519, bookdeca, booksubjectpainting