Modern harmony, its explanation and application . P J W ^ They are not always prepared for in this way, and mayresolve with the natural or the freer progressions; or theymay form part of a purely fombre-creating comhination, andmerely evaporate, as is the case with the escaped chords. Con molto sonnolente. fmm MAC-DOWELL,To a waterlily. ? (Scheme) (K.) f m § ^A m pp % ^. ft KARG-ELERT, Pastel. ,N93. Grave. ^ a =3 Ff Z?! TriPedali 84 MODERN HARMONY Many passages in Strauss and Reger seem to prove that aDominant or a Tonic may be added to any combination in thekey, and the d

---

Modern harmony, its explanation and application . P J W ^ They are not always prepared for in this way, and mayresolve with the natural or the freer progressions; or theymay form part of a purely fombre-creating comhination, andmerely evaporate, as is the case with the escaped chords. Con molto sonnolente. fmm MAC-DOWELL,To a waterlily. ? (Scheme) (K.) f m § ^A m pp % ^. ft KARG-ELERT, Pastel. ,N93. Grave. ^ a =3 Ff Z?! TriPedali 84 MODERN HARMONY Many passages in Strauss and Reger seem to prove that aDominant or a Tonic may be added to any combination in thekey, and the device of adding to the piquancy, or increasingthe colour of chords by altering or adding notes, is novsrvery common. In this connection the transformation ofWagners Rheingold themes are particularly interesting. STRAUSS, Till Eulenspiegel. |Mit »vfP (QTCb.)Jf ^?\>^_h^^y m 8 Allegro leggiero, ,,N9l. Modere,tres franc. J=i76. RAVEL,Valse (Scheme)

---

Size: 2747px × 910px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No

Keywords: ., bookcentury1900, bookdecade1910, booksubjectharmony, bookyear1915