. Studio international . (Theproperty of Mr. E. Davidson, Stockholm) THE FALCONS NESTBY BRUNO LILJEFORS Bruno Liljcfors. (In the National Museum, Stockholmj BY BRUNO not demand any attention for itself, and only? .nally has anything specially attractive. Asiwledge of life is always direct and self-he also draws his n pressionfrom Nature. This has sometimes, in myopinion, led him into experiments artistically un- nl ih< moveDf wings in Bight, by simultaneously pi ni i i . . onv< ntionalism 11 ? 1 l; 111 .I his prodm Bui hiii. il .V and in the breast to breast, without weap
. Studio international . (Theproperty of Mr. E. Davidson, Stockholm) THE FALCONS NESTBY BRUNO LILJEFORS Bruno Liljcfors. (In the National Museum, Stockholmj BY BRUNO not demand any attention for itself, and only? .nally has anything specially attractive. Asiwledge of life is always direct and self-he also draws his n pressionfrom Nature. This has sometimes, in myopinion, led him into experiments artistically un- nl ih< moveDf wings in Bight, by simultaneously pi ni i i . . onv< ntionalism 11 ? 1 l; 111 .I his prodm Bui hiii. il .V and in the breast to breast, without weapons and withoutartifice. There is in his technique, as well as inhis conception, something of tin- power of theprimitive to delight and convince. Invigorating and original, youthful and strong,• oi Bruno Liljefors lias raised an im-perishable monument to Swedish nature andSwedish animal life. In Sweden it lias won apopularity hardly to lie equalled bj thai ol .in\Othd ? ll ulists. That it lias had a deep effect is proved, amon:- other things, by the fact that it is doubtless one ,.i the must important m ol
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
