. The eclectic piano-forte school : arranged from the works of the best European composers, namely Cramer, Clementi, Herz, Hunten, Beyer, Burgmuller, Czerny, Bertini, Moscheles, Diabelli, Kalkbrenner, A. Schmitt, Wallace, Rosellen, &c., with selections from popular American authors : the whole forming an elementary and progressive course of instructions with scales, exercises, and pieces carefully fingered according to the latest and most approved method . II tr- t—F- 2 p{6). tr- mm \ s •+ -m1 -J- * * *■ ■+ + ■+ ■*- ^-ilH-V-li-V-^E ■+ -B- -& -+ * * * -* imi s £ SE^P -(9- t £ /(7) !-r- I 3HJ •a
. The eclectic piano-forte school : arranged from the works of the best European composers, namely Cramer, Clementi, Herz, Hunten, Beyer, Burgmuller, Czerny, Bertini, Moscheles, Diabelli, Kalkbrenner, A. Schmitt, Wallace, Rosellen, &c., with selections from popular American authors : the whole forming an elementary and progressive course of instructions with scales, exercises, and pieces carefully fingered according to the latest and most approved method . II tr- t—F- 2 p{6). tr- mm \ s •+ -m1 -J- * * *■ ■+ + ■+ ■*- ^-ilH-V-li-V-^E ■+ -B- -& -+ * * * -* imi s £ SE^P -(9- t £ /(7) !-r- I 3HJ •a—0*— fc—mg- -0—0—«—«—0—0—0—0r ~-f- f—H ^->-0—0—0—0—L-0—0—0—0 ■# -jh •#• V- -0--0--0--0- ■#■■#■■#■■#■ ■*-+■* *jrz*? $=£=** ^S «-* 0 I -r + -0- -0- (6). Piano, ovp, softly. (7). i^ort*, or f, loud Allegretto, EXERCISE ON DOUBLE NOTES, FOR THE LEFT HAND. (9). (10). BURGMULLER. (g) Count four eighths 1—3 • • . • • T^ 2 V 2-J- i-3 * * * * ^. X in each measure. ^-ftm_v^Z^^^_p_t^u^0_,__^r^—^> 0 0 # # # »M- (9). The Slur -—.shows that the notes areto be played smoothly. (10). The dote • • •show that the fingersshould be raised quickly (11). Sustain th» firstnote until the other thre*are IS (1) Extend the secondfinger of the left hand to Q. (2) The sign >~ showsthat the first note shouldbe emphasized and the se-cond not* played lightly. MODERATO. ITALIAN AIR. EXERCISE—To change and extend the fingers in each hand. —rt-a—a—«— -3-^x— * a—a *-,.a -•—»- H 1- -p-^- ■#—*- —u*->- JL _a_ s e« ta± X a) (2) x £E£ X 1 (3) Mind the accidentalsharps in the Base. (4) The H is intended torestore the F (previouslysharped) to its natural po-sition. a 3 a_a_ -9—0 gggElE^EggEgEg A 4 4 4. «—» It -©-
Size: 2454px × 1018px
Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bo, bookcentury1800, bookdecade1850, bookideclecticpianofor00pete
