Study of a Woman Seated 1828–81 Romain Cazes This drawing of a part of a robe worn by a lightly sketched woman comes from a group of eleven sheets once attribued to Frederic Lord Leighton, but now identified as by Romain Cazes. Cazes was a student of Ingres who painted murals in churches in both Paris and southwest France, and these drawings demonstrate his adherance to academic practice. The latter directs artists to make separate studies of posed nude figures and their garments as compositions are planned. The group were donated to The Museum by Albert Eugene Gallatin, an influential New Yor
Study of a Woman Seated 1828–81 Romain Cazes This drawing of a part of a robe worn by a lightly sketched woman comes from a group of eleven sheets once attribued to Frederic Lord Leighton, but now identified as by Romain Cazes. Cazes was a student of Ingres who painted murals in churches in both Paris and southwest France, and these drawings demonstrate his adherance to academic practice. The latter directs artists to make separate studies of posed nude figures and their garments as compositions are planned. The group were donated to The Museum by Albert Eugene Gallatin, an influential New York collector and critic who promoted "Art for Art's Sake," insisting that aesthetics, rather than narrative or moral concerns, underpins enduring Study of a Woman Seated 355524
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