Waterloozaal Around 1906. Room 255 (M 257-259) Waterloozaal (modern painting) seen to the west. Transit to Zaal 260 is blocked by the painting. The room has a curved light diced, plastered and equipped with belt bows. The foot of the cove console from a profile list and consoles made by art sandstone, which have been carried out among other things. The Waterloozaal is named after the painting by Pieneman. On the decorative paintwork after the room is entirely equal to the international room (235). Fig. 13 A of the Stuers gives a picture of the mosaic floor in this room. "The ornament is b
Waterloozaal Around 1906. Room 255 (M 257-259) Waterloozaal (modern painting) seen to the west. Transit to Zaal 260 is blocked by the painting. The room has a curved light diced, plastered and equipped with belt bows. The foot of the cove console from a profile list and consoles made by art sandstone, which have been carried out among other things. The Waterloozaal is named after the painting by Pieneman. On the decorative paintwork after the room is entirely equal to the international room (235). Fig. 13 A of the Stuers gives a picture of the mosaic floor in this room. "The ornament is black and white, the background alternately red and yellow. (The grid under the letter A is an iron grid 'of a mouth of the heating tubes'.) (The Stuers p. 39) In 1899 the room, by means of wooden bulkheads, is divided into 10 cabinets. In 1924 the bulkheads have been removed and replaced with two brick walls that divide the room into three. The original paintings were versed in 1923.
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Photo credit: © BTEU/RKMLGE / Alamy / Afripics
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