Catholic life and letters of Cardinal Newman : with notes on the Oxford movement and its men . k itself, I persuade myself that I may beable suitably to present it to you, in consideration of the objectit has in view ; and that you, on your part, will not repent ofcountenancing an author who, in the selection of his materials,would fain put the claims of charity above the praise of critics,and feels it is a better deed to write for the present momentthan for posterity. Begging your Lordships blessing, I am, my dear Lord,Your Lordships faithful and grateful servant, John H. Newman. Of the Orato
Catholic life and letters of Cardinal Newman : with notes on the Oxford movement and its men . k itself, I persuade myself that I may beable suitably to present it to you, in consideration of the objectit has in view ; and that you, on your part, will not repent ofcountenancing an author who, in the selection of his materials,would fain put the claims of charity above the praise of critics,and feels it is a better deed to write for the present momentthan for posterity. Begging your Lordships blessing, I am, my dear Lord,Your Lordships faithful and grateful servant, John H. Newman. Of the Oratory. A QUESTION OF STUDIES AND T. W. Allies, MA. Oratory, Birmingham, October 8, 1850. My dear Allies, I dont know how to answer your question. I wasthinking of the effect on my own mind of reading variousCatholic divines—, falling back upon Billuart after readingSuarez and Vasquez, or upon Tournely. You yourself give aninstance of it in your quotation from Bossuet, in the earlypart of your work just published. Nothing can be the Treatise on Grace, if you ( 24 ). JOHN HENRY NEWMAN IN 1844. {After a Portrait hy G. Richmond, ) ( 25 ) JOHN HENRY NEWMAN in 1844. In 1844, a few months before his reception into the Church, , at the instance of his friend, Mr. Henry Wilberforce, gavesittings to Mr. George Richmond, R. A., for a portrait, of which a sketchis here given. Some years later an engraving was published, and fromthis our reproduction is made. The original portrait is in the posses-sion of Mr. Wilberforces sons, at Kensington, and it differs from theengraving in the manner of the dress, inasmuch as the outline of anAnglican clergymans costume has been transformed by the engraverinto that of the costume of a Catholic priest. The copyright of thepicture belongs to Mr. Thomas MLean, to whom our readers are in-debted for its presentment to them in this form. For the portrait whichforms the frontispiece of the volume, equal obligations may h
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