. International studio. led Golden Hours, which showed a girl pen-though very painty, had at least a feeling of reality, sively seated in a boat, which glowed with a ruddi-of out of doors, of life and movement. J. Alden ness as though she might be using glow worms forWeir was represented by a canvas called The Blue bait. The only other canvas to compete with thisGown, painted in his well-known manner; HowardGardiner Gushing showed aWoman in a Silver Dress,very luminous in color andsimple in its arrangement;Hugh H. Breckenridge wassomewhat less vivaciouslyvivacious in color than usualin his pai
. International studio. led Golden Hours, which showed a girl pen-though very painty, had at least a feeling of reality, sively seated in a boat, which glowed with a ruddi-of out of doors, of life and movement. J. Alden ness as though she might be using glow worms forWeir was represented by a canvas called The Blue bait. The only other canvas to compete with thisGown, painted in his well-known manner; HowardGardiner Gushing showed aWoman in a Silver Dress,very luminous in color andsimple in its arrangement;Hugh H. Breckenridge wassomewhat less vivaciouslyvivacious in color than usualin his painting called In theStudio, showing a lady witha child cuddled up to her ona divan, and William this year called yourattention to The String ofPearls rather than to thepearl of great price shown inhis much-talked-of canvas oflast year, which is a differ-ence of quantity rather thanquality. This was true, also,of the canvas by Thomas called The Tana-gra, showing a young womanstanding beside a Purchased by Pennsylvania Academy oj Ike Fine Arls (Temple Fund), 1909 THE CRIMSON RAMBLKR BY PHILIP L. HALE XLV Pennsylvania Academy
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
