Programme . ull orchestra. The fourth, tempoprimo, E major, organ-point on B, is for wood-wind, two horns, andtwo cellos, accompanied by sixteenth notes for clarinet and fifth, F major, is for full orchestra. A cadenza for solo flute bringsthe end. III. Alborada. Vivo e strepitoso, B-flat major, 2-4. This move-ment is a repetition of the first, transposed to B-flat major and withdifferent instrumentation. Clarinets and violins have now exhanged JC 48A Gloucester Street - - - Boston (Near Boylston Street)Under Direction of MISS ALLEN MISS TURNER Formerly of Miss Farmers School of Co
Programme . ull orchestra. The fourth, tempoprimo, E major, organ-point on B, is for wood-wind, two horns, andtwo cellos, accompanied by sixteenth notes for clarinet and fifth, F major, is for full orchestra. A cadenza for solo flute bringsthe end. III. Alborada. Vivo e strepitoso, B-flat major, 2-4. This move-ment is a repetition of the first, transposed to B-flat major and withdifferent instrumentation. Clarinets and violins have now exhanged JC 48A Gloucester Street - - - Boston (Near Boylston Street)Under Direction of MISS ALLEN MISS TURNER Formerly of Miss Farmers School of Cookery MRS. MARIA W. HILLIARD Asst. Professor Simmons College Cookery—-Four Graded Courses. Also coursesin Sandwiches, Salads and Beverages; TableService; Chafing Dish; Marketing; Candy Making;Invalid Cookery. The above given in short formed at any time. Course of fivelectures by Mrs. Hilliard on the Sanitary Kitchenand Cellar; Laundry Work, and Tel. Back Bay 55157. Detroit Electric NOW to $2275 THE IDEAL CLOSED CAR READY WHENEVER YOU ARE E. Y. STIMPSON, 650 Beacon StreetBack Bay 3230 605 their parts. The solo that was originally for clarinet is now for soloviolin, and the cadenza that was originally for the solo violin is nowfor the solo clarinet. IV. Scene and Gypsy Song. Allegretto, D minor, 6-8. Thedramatic scene is a succession of five cadenzas. The movement beginsabruptly with a roll of side-drum, with a fanfare, quasi-cadenza, insyncopated rhythm in gypsy fashion for horns and trumpets. Thedrum-roll continues, now ppp, and the second cadenza, which is forsolo violin, introduces the chief theme. This is repeated by flute andclarinet. The third cadenza, freer in form, is for flute over a kettle-drum roll. The fourth, also free, is for clarinet over a roll of oboe gives a short version of the theme. The fifth cadenza isfor harp with triangle. The gypsy song begins after a harp is attacked savagely by the v
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Keywords: ., bookauthorbostonsy, bookcentury1800, bookdecade1880, bookyear1881
