. Keramic studio. ^ SUGAR AND CREAMER—lONE WHEELER Gold design with Black outlines. IlERAMIC STUDIO 191. TOBACCO JAR (Page 189) Charles S. Babcock OUTLINE design in black. Second Fire—Paint darkestspaces with one part Shading Green, two parts MossGreen, one part Grey for Flesh. Grey tones with Moss Greenand a little Violet. Third Fire—Paint over entire surface Grey for Fleshand a little Albert Yellow. CANDLESTICK—OWLS Edith Alma Ross TINT the candlestick a soft grey green made of GrassGreen with a touch of Deep Blue Green and BrunswickBlack. Dry the tint thoroughly and paint the trees with the
. Keramic studio. ^ SUGAR AND CREAMER—lONE WHEELER Gold design with Black outlines. IlERAMIC STUDIO 191. TOBACCO JAR (Page 189) Charles S. Babcock OUTLINE design in black. Second Fire—Paint darkestspaces with one part Shading Green, two parts MossGreen, one part Grey for Flesh. Grey tones with Moss Greenand a little Violet. Third Fire—Paint over entire surface Grey for Fleshand a little Albert Yellow. CANDLESTICK—OWLS Edith Alma Ross TINT the candlestick a soft grey green made of GrassGreen with a touch of Deep Blue Green and BrunswickBlack. Dry the tint thoroughly and paint the trees with thesame. Flush a little Brown Green on the trees where theyare darker and touch in the trunks and branches with BrownGreen. Draw in the owls and remove the green tint andshade the owls softly with the grey green used for a soft wash of Albert Yellow on the body and touch upand accent with Brown Green. Do not shade so heavily thatthe soft white effect will be lost, as the owls are intended tobe quite distinct. This may be finished in one fire if the greentint is thoroughly dry before p
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Keywords: ., bookcentury1800, bookdecade189, booksubjectdecorationandornament
