. Harmony for ear, eye, and keyboard (first year). ASSIGNMENT Keyboard Work: Play and transpose the following to severalminor keys. These are typical cadence formulasand equally good in either mode:— P i f m ±L_a m sm a £^3tt i ^ f=f f=r=r n°S V87 n°f if v7 Written Work: In the first of these supply the inner parts,and in the second use two n°| chords:—. LESSON 36 The Sequence A Sequence is a succession of similar melodic or harmonic progressions ascending or de-scending in some symmetrical fashion. A Harmonic Sequence i r i r ; $ P m ?n^o,-„« -b^-^a ^n Ex. 47 the first measure is the
. Harmony for ear, eye, and keyboard (first year). ASSIGNMENT Keyboard Work: Play and transpose the following to severalminor keys. These are typical cadence formulasand equally good in either mode:— P i f m ±L_a m sm a £^3tt i ^ f=f f=r=r n°S V87 n°f if v7 Written Work: In the first of these supply the inner parts,and in the second use two n°| chords:—. LESSON 36 The Sequence A Sequence is a succession of similar melodic or harmonic progressions ascending or de-scending in some symmetrical fashion. A Harmonic Sequence i r i r ; $ P m ?n^o,-„« -b^-^a ^n Ex. 47 the first measure is the design orDesign Repeated . & pattern. Ihe chords in this pattern areconnected in the regular way. The tenor has the commontone and keeps it; the soprano moves from the third in thefirst chord to the fifth in the next; and, in each repetition ofthe design, the tenor must keep the common tone and thesoprano go from third to fifth as before. In this mannereach voice gets its cue from what it did in the design. o t A sequence justifies several otherwise ques- Sequence Justifies .. \, . r i ? ^ • Licenses tionable progressions: lor example, in this model (1) the common tone is given up in reaching the first chord of the repetition, (2) the triad on the leading tone is used in root position and its root is doubled, and (3) the bass leaps a
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Keywords: ., bookcentury1900, bookdecade1920, booksubjectharmony, bookyear1922
