. Harmony : a course of study . tmmmi -f-t-r ^m^m i=f j£=*=M=Z± DN Transpose to every key. 54. m -4- zor 4- or: =^=^: 3=S=«g=tg=# 1^1 . m ■ i i 9i- *> 1—g*- & & £=F ^ i-E a ^ 58^ -<s- -«- *fc± i §^ =t :=]: iilfl 8= ~ All the other positions of this modulation should also be thoroughlylearned in every key at the pianoforte. HARMONY. 89 LESSON MODULATION TO THE SUBDOMINANT. r The subdominant (or dominant below the tonic) is as nearly re-lated (as a key) to the tonic as is the dominant above the tonic. Inmodulating to this key through its dominant seventh, the root, third,and fifth

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. Harmony : a course of study . tmmmi -f-t-r ^m^m i=f j£=*=M=Z± DN Transpose to every key. 54. m -4- zor 4- or: =^=^: 3=S=«g=tg=# 1^1 . m ■ i i 9i- *> 1—g*- & & £=F ^ i-E a ^ 58^ -<s- -«- *fc± i §^ =t :=]: iilfl 8= ~ All the other positions of this modulation should also be thoroughlylearned in every key at the pianoforte. HARMONY. 89 LESSON MODULATION TO THE SUBDOMINANT. r The subdominant (or dominant below the tonic) is as nearly re-lated (as a key) to the tonic as is the dominant above the tonic. Inmodulating to this key through its dominant seventh, the root, third,and fifth of the tonic become the root, third, and fifth of the domi-nant seventh in the new key, the minor seventh being merely addedto the chord. 155.

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